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Regenerating Authentic Audiences in the Heart of School Libraries
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A school library is informally known to be the heart of a school. It is not only the place where a literary community is cultivated, but where all students, theoretically, can access the library and its resources (mindful that access for all learners doesn't happen in a vacuum—it needs to be built purposefully) and engage in resources with critical and culturally relevant lenses. By its very nature, a school library can be an orbit for equity. Scholars recognize equity as a systematic goal, and teacher-librarians are ideally situated to be equity leaders because of our connections to all learners and school libraries as sites of equity and inclusion because of our intersectionality with all learners (Allison and Langella 2021). This leads naturally to infusing student learning with authentic audiences for their thinking, projects, papers, and learning. An authentic audience does not need to be fabricated in an ecosystem that centers equity and inclusion.

When considering the new AASL standards, "Include" does the lion's share of equity work and challenges school librarians "to embrace the systemic value of diversity as we work to remedy structural barriers to equity"(Lechtenberg and Phillips 2017). As school librarians consider designing instruction and learning opportunities that include an authentic audience, it's essential to ask which students are not accessing the library, and why? Are there trends and data to be interrogated that can ensure greater access and opportunity for all our students? At the center of all these questions is growth toward recognizing, responding, and redressing bias, discrimination, and inequity and then moving toward "cultivating and sustaining" a bias-free and discrimination-free school library (Gorski 2013).

If we embrace what I call an inclusive authentic audience, we are inviting students to collaboratively contribute to building a library—and all that is included under that umbrella—that grows authentic and inclusive audiences organically, with transparency, justice, rigor, and love.

Community Dialogue as Authentic Audience

The disinformation and misinformation fueling our national discourse makes plain the case for creating opportunities for students to learn and practice critical thinking skills. It requires recognizing that the library must go beyond teaching critical thinking about both sides of an issue and requires deeper analysis. Criticality, as defined by Gholdy Muhammed, is "the capacity and ability to read, write, think, and speak in ways to understand power and equity in order to understand and promote anti-oppression." This pedagogy gives teacher-librarians the structure to "frame their teaching practices in response to the social and uneven times in which we live" (Ferlazzo 2020).

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Students who begin to unpack the inequities in the world around them can be guided to look within their own schools, in the policies and practices that shape their educational lives, to uncover inequities and biases that impact students, especially marginalized students, differently. Rather than putting the cart before the horse, authentic audiences emerge as students become empowered, knowledgeable citizen-students. The students then seek out the audiences they need to engage with—boards, parents, community groups, legislators, school boards—for the action at hand.

The library can become a model for our school communities in how to involve all stakeholders by inviting their voices into civil dialogue and conversation. It is essential to hold the line against outwardly racist and dehumanizing words and perspectives. This is where leaning simply on "critical thinking" can fall short, at least in practice, as learning spaces often, misguidedly, allow both sides of an issue equal weight, even as the impact of one side's words could create an unsafe learning environment for historically marginalized students. "Neutrality in the library speaks loud and clear of apathy at best, and complicity at worse. If the library is the physical and metaphorical heart of a school, what good does it do to be indifferent? Silence serves the oppressors, and in an educational setting, it's imperative for the school librarian to be an agitator for disrupting that silence, and provide opportunities to speak out" (Allison and Langella 2021).

Strong Relationships as Authentic Audience

Earning the trust of students starts with relationships. Knowing names. Remembering details about someone's life: what they like to read or that they scored a winning goal in last night's hockey game. Opportunities to build relationships begin every time a student enters a library, but just as importantly every time I co-teach with a content-level teacher, embedding my instruction into classrooms. Students have multiple opportunities to know me, and for me to know them. This pedagogy helped tremendously when students at my school started displaying Confederate insignia on their clothing or as screensavers and avatars in light of a student-led movement to ban the flag and other hate symbols. Because I had relationships with some of the students wearing and displaying the flag, I could approach them from a place of curiosity, "I wonder what this means to you?" and invite them to join their peers in dialogues being hosted in the library. At the same time, I had to assure BIPOC students that the library remained a safe space for them too, that our dialogues centered norms about intent and impact, stereotypes, and microaggressions.

Our school has made great strides on the equity front, with the library playing a key role in enacting policy change for our whole district, with our students being central in advocacy and action to disrupt unequal power imbalances and policies. As Dr. Ibram Kendi says, "knowledge is only power if knowledge is put to the struggle for power." Through books and brave conversations, we can harness students' voices to help them move beyond empathy to a place of compassionate action and radical inclusion.

Disrupting the Unspoken Quota of Whiteness in Building an Authentic Audience

"What's the point of having a voice if you're gonna be silent in those moments you shouldn't be?" asks Starr in the The Hate U Give by Angie Thomas. What's the point in maintaining silences, as librarians, if they perpetuate harm and inequities?

Within the last couple of years, I've made a conscious decision to support programming for BIPOC artists and authors to present at my majority white high school. In preparing, I've reached out to students of color individually and through our BIPOC student affinity group with personal invitations. These actions support my belief that white-majority schools and libraries need to continually bring artists of color onto our campuses to disrupt stereotypes and the "danger of the single story," affirm BIPOC students, and challenge white students to listen and learn from BIPOC voices, an experience they are not accustomed to in rural Vermont.

In March 2020, our library was planning to host the third annual Teen Lit Mob event for teen readers from around Vermont. Many of our featured authors were BIPOC authors, including our keynote speaker, Ibi Zoboi. Due to the coronavirus, we had to cancel this event but in one of the last acts before the library's budget froze, I reached out to Zoboi and was able to schedule a Zoom presentation, for students involved in Teen Lit Mob and for students in an AP World Authors unit I was co-teaching. In our second year of disrupting the canon,we have taught Ibi Zoboi's book Pride, a remix of Jane Austen's Pride and Prejudice. Pride takes place in Bushwick, Brooklyn and centers the story of Zuri Benetiez, a Haitian-Dominican young woman. With students, we co-create learning opportunities that explore African-American Vernacular English, gentrification, the African diaspora, redlining, food deserts/apartheids, and other themes that are simply not present in Austen's work, much less in other lessons offered to them in our high school curriculum.

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Additionally, we've disrupted the usual summative assessment for this unit. Instead of a formal essay paper, we've asked students to write spoken word poetry, as Zuri is a spoken word poet. We explore this format as a disruption to traditional poetry presented in the anthologies these students encounter as AP students. We see some of them squirm in this unfamiliar format, yet others thrive in finding their voices and a platform that speaks to them. We do this writing after lots of identity work and the results are profound. The students come to be an inclusive authentic audience for one another—some after peeling off layers of discomfort and white privilege, others after seeing their identities affirmed in texts centered in an AP classroom—and engage in some of the most authentic and vulnerable learning of their schooling.

Co-Creating Equitable Libraries with Authentic Audiences

In "Speaking Up for Equity Takes Courage—But the Standards Have Your Back," Kate Lechtenberg and Jeanie Phillips ask, "in today's politically charged climate, school librarians may feel vulnerable when we raise questions about equity, inclusion, and social justice. On the other hand, we cannot and should not avoid this fundamental question: Who does my school library serve?" School librarians need to do more than create diverse bulletin boards and displays. The AASL Standards "challenge us to embrace the systemic value of diversity as we work to remedy structural barriers to equity."

Up until March 2020, more students were checking out books. Is it because the book displays and promotions go beyond mere thematic displays, to touch upon their identities and raise up marginalized voices? I like to think it helps. This year, we created real and virtual displays on for Black Lives Matter, Women's History Month, transgender awareness, pride, indigenious peoples, and antiracism. More students are rediscovering that our library is a place for them just as they are, fully actualized and whole. In the liberatory library of my dreams, all students will want to be in the library because they see themselves reflected in the books and programs, in the knowledge that is curated, in the behaviors deemed acceptable, and in equitable and inclusive policies and practices. They will be able to check out automotive manuals alongside Shakespearean analysis, find authors of color alongside problematic texts, with space to explore where the tensions lie, what they think, who they are, who they wish to become, and to reimagine futures for themselves where they are included, where they are free.

Some librarians are reevaluating their practice of billing for library materials. Ashley Krohn (@teachingmissk), head of library services for the Minneapolis Public Schools shared on Twitter that in response to the pandemic "we've waived all lost/damaged fines for library books (never charged overdues) and increased the number of books per student" (February 21, 2021). This bold move takes into account the lived experiences of our students and inequities exacerbated by the pandemic. While it is incumbent upon us to teach responsibility for borrowed materials, I fear we are turning away students and families from ever using libraries again, and worse, are in danger of losing trust in us as an institution where life-long learning is a sacred tenet. I would rather lose a book than a reader, but unless the eradication of punitive measures attached to library materials is made manifest, it will be very difficult to earn the trust of our readers and students who are on the receiving end of fines and bills.

Full Circle

I'd like to return to the story I briefly touched upon about the banning of the Confederate flag at my school (Allison and Langella 2021), which started when a picture of the flag flying out of a school bus in front of our school was taken on the day the Black Lives Matter flag was to be raised.

I learned that this incident involved a student I had met in an English class his senior year. I was asked to collaborate in designing engaging lessons for students needing support writing resumes, cover letters, and applying for jobs. This class had students who struggled with functional literacy, but could think and express themselves verbally and were quite talented in the trades they were studying—plumbing, building trades, electrical work. I worked very closely with this class over the course of many weeks, and the work we did together on his cover letter and resume helped him land a job with a local electrician to begin a month after he graduated.

I asked him, how is it that you are a senior and I've never met you before? He shared that when he was in the 8th grade, he took out a library book and lost it. He had received an overdue notice that turned into a bill, which his family did not have the means to pay. So, he never came back.

I kept thinking, what a loss. For all those lost years of his schooling without a library book to read, a magazine to thumb though, support for research. At the time, the library was an active site for student and faculty-led dialogues about the Confederate flag, free speech, and systemic racism. What a loss to not have the opportunity to invite his voice into our community dialogues, to share his thoughts and to listen to others.

Three weeks later, after he shared this with me, he came to school, waving a Confederate flag out the back of his school bus.

Closing

Building inclusive libraries is the essential ingredient for germinating inclusive authentic audiences. Students can be that authentic audience for one another once they are freed from constraints that keep them boxed into stereotypes and roles that are dominated by assessments and scoring and the positional power dynamics between teacher and student, and between peers. Librarians have to think of ways to build trust, especially with historically marginalized students, and to understand how to build opportunities that do not create more trauma but become bridges to radical inclusion and civil dialogues. This is the exact site in which to unpack and explore policies and practices at the heart of schools and learning environments that are problematic and inequitable. If we tap into these intersections, we can bolster community-led solutions toward becoming anti-bias and anti-racist libraries and schools, led by listening to student voices that are the authentic audiences we seek to engineer, but have already taken root. Given the right conditions, an inclusive authentic audience can grow and flourish in your school library and community, too.

Works Cited

Allison, Meg Boisseau, and Peter Patrick Langella. "Inclusion." In Core Values in School Librarianship: Responding with Commitment and Courage, edited by Judi Moreillon. Libraries Unlimited, 2021.

Ferlazzo, Larry. "Author Interview with Dr. Gholdy Muhammad: 'Cultivating Genius.'" Education Week (Jan. 28, 2020). www.edweek.org/teaching-learning/opinion-author-interview-with-dr-gholdy-muhammad-cultivating-genius/2020/01.

Kendi, Ibram X. How to Be an Antiracist. One World, 2019.

Langella, Peter, and Meg Boisseau Allison. "Empathy and Equity in Library Programming." School Library Connection (April 2020). schoollibraryconnection.com/Home/Display/2241835.

Lechtenberg, Kate, and Jeanie Phillips. "Speaking Up for Equity Takes Courage--But the Standards Have Your Back." Knowledge Quest 46, no. 5 (2018) p. 56-63.

Thomas, Angie. The Hate U Give. Balzer + Bray, 2017.

"U-32's Hate Symbol Ban: 32 Voices." U-32 Chronicle [East Montpelier, VT] (Nov. 15, 2019). u32chronicle.com/2019/11/15/hate-symbol-ban-32-voices/.

Zoboi, I. A. Pride. Balzer + Bray, 2018.

About the Author

Meg Boisseau Allison, MEd, is a 7–12 teacher-librarian in her fifth year at U-32 Middle and High School in East Montpelier, VT. Previously, she served a combined fourteen years as a pre-k–6 teacher-librarian at the Moretown School and youth services librarian at the Kellogg-Hubbard and Joslin Memorial Libraries, all in Central Vermont. She earned her bachelor's in sociology and anthropology from Colgate University, where she spent a semester in South Africa peace-monitoring the first presidential election of Nelson Mandela with the School of International Training, Brattleboro, VT. She earned her master's in curriculum and instruction from the University of Vermont, with a concentration in library media studies.

Allison is a former Global Teacher Fellow, traveling to France and Italy to research fairy tales. She was recognized by the University of Vermont as an Outstanding Teacher, and was recently named an AASL Social Media Superstar: Social Justice Defender finalist (@meg_allison). She lives in a home she and her husband designed and built in the Mad River Valley of Vermont. She spends her time outside of the library training for races from 5Ks to marathons, perfecting her popovers, and playing Settlers of Catan.

Select Citation Style:
MLA Citation
Allison, Meg Boisseau. "Regenerating Authentic Audiences in the Heart of School Libraries." School Library Connection, May 2021, schoollibraryconnection.com/content/article/2262956.
Chicago Citation
Allison, Meg Boisseau. "Regenerating Authentic Audiences in the Heart of School Libraries." School Library Connection, May 2021. https://schoollibraryconnection.com/content/article/2262956.
APA Citation
Allison, M. B. (2021, May). Regenerating authentic audiences in the heart of school libraries. School Library Connection. https://schoollibraryconnection.com/content/article/2262956
https://schoollibraryconnection.com/content/article/2262956?learningModuleId=2262956&topicCenterId=0

Entry ID: 2262956

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